Kean.[1] The contemporary newspapers are extravagant in their praises: "one of the finest pieces of acting we have ever beheld, or perhaps that the stage has aver known"; and "as the curtain fell the audience rose as one man, cheered lustily, applauded wildly, declaring by word and action this new actor was great indeed." Kean twice played Richard in America in 1820 and 1825. Much of the "traditional" stage-business followed today was originated by Kean.
Kean had but one rival in the part for several years, Junius Brutus Booth (1796–1852) at Covent Garden. He first appeared as Richard Feb. 12, 1817, and although he had his followers, his fame has been eclipsed by the popular glory of his great rival.
The next important Richard was William Charles Macready (1793–1873) who produced the tragedy in London at Covent Garden in 1819, to great applause, thus challenging the supremacy of Kean. Drury Lane responded to the challenge and the two Richards appeared nightly at the rival houses. Genest says of Macready, referring to the revival May 23, 1823: "He was very inferior to Kean, till the ghosts appeared . . . he was then superior." Leigh Hunt said: "Mr. Kean's Richard is the more sombre and perhaps deeper part of him; Mr. Macready's the livelier and more animal part—a very considerable one nevertheless."
On March 12, 1821, Macready attempted the practical restoration of Shakespeare's text, leaving in, however, some of Cibber's lines that had become identified in the popular mind with Richard III.[2] But this partial restoration did not find favor and was abandoned after the second performance of it. In his
- ↑ The best description of the acting of Kean is to be found in W. Hazlitt: The Characters of Shakespear's Plays, essay on Richard III.
- ↑ Reminiscences, 162. Ed. by Sir Frederick Pollock. 1875.
