nation awaits new life, new laurels, and a new reign of truth and beauty, despite the fashion of the day. . . . . Give us the hope of soon seeing our desires 'satisfied. And then the springtime which is coming will blossom again doubly, thanks to your gifts to us and to the world!"[1] This noble address shews what power, not only artistic but also moral, Beethoven exercised over the élite of Germany. The first word which occurs to his followers who wish to praise his genius is neither science, nor art; it is faith.[2]
Beethoven was deeply moved by these words. He stayed. On May 7th, 1824, the first performance in Vienna of the Mass in D and the Ninth Symphony took place. The success was amazing; and his greeting almost of a seditious character for when Beethoven appeared he was accorded five rounds of applause; whereas according to the strict etiquette of the city, it was the custom to give three only for the entrance of the Royal Family. The police had to put an end to the manifestations. The Symphony raised frantic enthusiasm. Many wept. Beethoven fainted with emotion after the concert; he was taken to
- ↑ February, 1824. Signed Prince C. Lichnovsky, Count Maurice Lichnovsky, Count Maurice de Fries, Count M. de Dietrichstein, Count F. de Palfy, Count Czernin, Ignace Edler de Mosel, Charles Czerny, Abbé Stadler, A. Diabelli, Artari & Co., Steiner & Co., A. Streicher, Zmeskall, Kiesewetter, etc.
- ↑ "My moral character is publicly recognised," Beethoven proudly said to the Vienna Municipality, on February 1st, 1819, to vindicate his right to the guardianship of his nephew. Even distinguished writers like Weisenbach have considered him worthy of the dedication of their works.
