Madame Clerambault came back to Paris with her daughter, and the first
evening after their arrival Clerambault carried Rosine off to the
Boulevards. The solemn fervour of the first days had passed. War had
begun, and truth was imprisoned. The press, the arch-liar, poured into
the open mouth of the world the poisonous liquor of its stories of
victories without retribution; Paris was decked as for a holiday; the
houses streamed with the tricolour from top to bottom, and in the
poorer quarters each garret window had its little penny flag, like a
flower in the hair.
On the corner of the Faubourg Montmartre they met a strange procession. At the head marched a tall old man carrying a flag. He walked with long strides, free and supple as if he were going to leap or dance, and the skirts of his overcoat flapped in the wind. Behind came an indistinct, compact, howling mass, gentle and simple, arm in arm,--a child carried on a shoulder, a girl's red mop of hair between a chauffeur's cap and the helmet of a soldier. Chests out, chins raised, mouths open like black holes, shouting the Marseillaise. To right and left of the ranks, a double line of jail-bird faces, along the curbstone, ready to insult any absent-minded passer-by who failed to salute the colours. Rosine was startled to see her father fall into step at the end of the line, bare-headed, singing and talking aloud. He drew his daughter along by the arm, without noticing the nervous fingers that tried to hold him back.
When they came in Clerambault was still talkative and excited. He kept on for hours, while the two women listened to him patiently. Madame Clerambault heard little as usual, and played chorus. Rosine did not say a word, but
