better, for he had more voice. And, by dint of screaming, this worthy man ended by feeling passions that he knew nothing of. He learned to "know" hatred at last, know in the Biblical sense, and it only roused in him that base pride that an undergraduate feels when for the first time he finds himself coming out of a brothel.
Now he was a man, and in fact he needed nothing more, he had fallen as low as the others.
Camus well deserved and enjoyed the first taste of each one of these poems and they made him neigh with enthusiasm, for he recognised himself in them. Clerambault was flattered, thinking he had touched the popular string. The brothers-in-law spent their evenings alone together. Clerambault read, Camus drank in his verses; he knew them by heart, and told everyone who would listen to him that Hugo had come to life again, and that each of these poems was worth a victory. His noisy admiration made it unnecessary for the other members of the family to express their opinion. Under some excuse, Rosine regularly made a practice of leaving the room when the reading was over. Clerambault felt it, and would have liked to ask his daughter's opinion, but found it more prudent not to put the question. He preferred to persuade himself that Rosine's emotion and timidity put her to flight. He was vexed all the same, but the approval of the outside world healed this slight wound. His poems appeared in the _bourgeois_ papers, and proved the most striking success of Clerambault's career, for no other work of his had raised such unanimous admiration. A poet is always pleased to have it said that his last work is his best, all the more when he knows that it is inferior to the others.
Clerambault knew it perfectly well, but he swallowed all the fawning reviews of the press with infantile vanity. In the evening he made Camus read them aloud in the family
