Page:Romeo and Juliet (Dowden).djvu/95

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SC. I.
ROMEO AND JULIET
51

And the demesnes that there adjacent lie, 20
That in thy likeness thou appear to us!

Ben. An[C 1] if he hear thee, thou wilt anger him.
Mer. This cannot anger him: 'twould anger him
To raise a spirit in his mistress' circle
Of some strange nature, letting it there[C 2] stand 25
Till she had laid it, and conjured it down;
That were some spite: my invocation
Is fair and honest, and[C 3] in his mistress' name
I conjure only but to raise up him.
Ben. Come, he hath hid himself among these[C 4] trees, 30
To be consorted with the humorous[E 1] night:
Blind is his love and best befits the dark.
Mer. If love be blind, love cannot hit the mark.
Now will he sit under a medlar-tree,
And wish his mistress were that kind of fruit 35
As maids call medlars[E 2] when they laugh alone.
O, Romeo, that she were, O, that she were
An open et cetera,[C 5][E 3] thou a poperin[E 4] pear!
Romeo, good night: I'll to my truckle-bed;[E 5]
This field-bed[E 6] is too cold for me to sleep: 40
  1. 22. An] Theobald; And Q, F.
  2. 25. there] Q, omitted F.
  3. 28. and in] F, in Q.
  4. 30. these] Q, F; those Q1.
  5. 38. open et cetera, thou] Q1, Malone; open, or thou Q, F.
  1. 31. Humorous] humid. Chapman and Drayton are cited by Steevens as so describing night.
  2. 36. medlars] See Halliwell's Dict. of Archaic … Words, p. 589, for the suppressed name.
  3. 38. et cetera] Used, as here (a substitute for a suppressed unbecoming word), in Cotgrave, under Bergamasque. Ovid frequently uses cetera in a euphemistic way. See Pilgrimage to Parnassus (ed. Macray), opening lines of Act IV. (p. 13).
  4. 38. poperin] Named from Poperingue, a town two leagues distant from Ypres; chosen here for the sake of a quibble. See Cyril Tourneur, The Atheist's Tragedie (ed. Collins, vol. i. pp. 97–99), for conceits on medlars and the poperin pear-tree.
  5. 39. truckle-bed] a small bed made to run under a larger.
  6. 40. field-bed] a camp-bed, or a bed upon the ground, here used with a play on field. In Brooke's Romeus and Juliet (1562) the Nurse plays on