birth, but had since begun to be soothed away by the softening influences of maternity.
At home, within and around her mother's cottage, Pearl wanted not a wide and various circle of acquaintance. The spell of life went forth from her ever creative spirit, and communicated itself to a thousand objects, as a torch kindles a flame wherever it may be applied. The unlikeliest materials, a stick, a bunch of rags, a flower, were the puppets of Pearl's witchcraft, and, without undergoing any outward change, became spiritually adapted to whatever drama occupied the stage of her inner world. Her one baby-voice served a multitude of imaginary personages, old and young, to talk withal. The pine-trees, aged, black, and solemn, and flinging groans and other melancholy utterances on the breeze, needed little transformation to figure as Puritan elders; the ugliest weeds of the garden were their children, whom Pearl smote down and uprooted, most unmercifully. It was wonderful, the vast variety of forms into which she threw her intellect, with no continuity, indeed, but darting up and dancing, always in a state of preternatural activity,—soon sinking down, as if exhausted by so rapid and feverish a tide of life,—and succeeded by other shapes of a similar wild energy. It was like nothing so much as the phantasmagoric play of the northern lights. In the mere exercise of the fancy, however, and the sportiveness of a growing mind, there might be a little more than was observable in other children of bright faculties; except as Pearl, in the dearth of human playmates, was thrown more upon the visionary throng which she created. The singularity lay in the hostile feelings with which the child regarded all these offsprings