of which were elaborately carved with wreaths of oaken flowers; and likewise a table in the same taste; the whole being of the Elizabethan age, or perhaps earlier, and heirlooms, transferred hither from the Governor's paternal home. On the table—in token that the sentiment of old English hospitality had not been left behind—stood a large pewter tankard, at the bottom of which, had Hester or Pearl peeped into it, they might have seen the frothy remnant of a recent draught of ale.
On the wall hung a row of portraits, representing the forefathers of the Bellingham lineage, some with armour on their breasts, and others with stately ruffs and robes of peace. All were characterized by the sternness and severity which old portraits so invariably put on; as if they were the ghosts, rather than the pictures, of departed worthies, and were gazing with harsh and intolerant criticism at the pursuits and enjoyments of living men.
At about the centre of the oaken panels, that lined the hall, was suspended a suit of mail, not, like the pictures, an ancestral relic, but of the most modern date; for it had been manufactured by a skilful armorer in London, the same year in which Governor Bellingham came over to New England. There was a steel head-piece, a cuirass, a gorget, and greaves, with a pair of gauntlets and a sword hanging beneath; all, and especially the helmet and breastplate, so highly burnished as to glow with white radiance, and scatter an illumination everywhere about upon the floor. This bright panoply was not meant for mere idle show, but had been worn by the Governor on many a solemn muster