of the pillory. It was in sufficient proximity to bring the whole sermon to her ears, in the shape of an indistinct, but varied, murmur and flow of the minister's very peculiar voice.
This vocal organ was in itself a rich endowment; insomuch that a listener, comprehending nothing of the language in which the preacher spoke, might still have been swayed to and fro by the mere tone and cadence. Like all other music, it breathed passion and pathos, and emotions high or tender, in a tongue native to the human heart, wherever educated. Muffled as the sound was by its passage through the church-walls, Hester Prynne listened with such intentness, and sympathized so intimately, that the sermon had throughout a meaning for her, entirely apart from its indistinguishable words. These, perhaps, if more distinctly heard, might have been only a grosser medium, and have clogged the spiritual sense. Now she caught the low undertone, as of the wind sinking down to repose itself; then ascended with it, as it rose through progressive gradations of sweetness and power, until its volume seemed to envelop her with an atmosphere of awe and solemn grandeur. And yet, majestic as the voice sometimes became, there was for ever in it an essential character of plaintiveness. A loud or low expression of anguish,—the whisper, or the shriek, as it might be conceived, of suffering humanity, that touched a sensibility in every bosom! At times this deep strain of pathos was all that could be heard, and scarcely heard, sighing amid a desolate silence. But even when the minister's voice grew high and commanding,—when it gushed irrepressibly upward,—when it assumed its utmost breadth and power, so overfilling the church