A side light on this distracting inconsistency in modern thought is obtained by examining some of those great serious poems in English literature, whose general scale gives them a didactic character. The relevant poems are Milton’s Paradise Lost, Pope’s Essay on Man, Wordsworth’s Excursion, Tennyson’s In Memoriam. Milton, though he is writing after the Restoration, voices the theological aspect of the earlier portion of his century, untouched by the influence of the scientific materialism. Pope’s poem represents the effect on popular thought of the intervening sixty years which includes the first period of assured triumph for the scientific movement. Wordsworth in his whole being expresses a conscious reaction against the mentality of the eighteenth century. This mentality means nothing else than the acceptance of the scientific ideas at their full face value. Wordsworth was not bothered by any intellectual antagonism. What moved him was a moral repulsion. He felt that something had been left out, and that what had been left out comprised everything that was most important. Tennyson is the mouthpiece of the attempts of the waning romantic movement in the second quarter of the nineteenth century to come to terms with science. By this time the two elements in modern thought had disclosed their fundamental divergence by their jarring interpretations of the course of nature and the life of man. Tennyson stands in this poem as the perfect example of the distraction which I have already mentioned. There are opposing visions of the world, and both of them command his assent by appeals to ultimate intuitions from which there seems no escape. Tennyson goes to the heart of the
