Page:Shakespeare and Music.djvu/69

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
TECHNICAL TERMS
55

Next to the viol, the lute[1] was the most popular stringed instrument. It was used both as a Solo instrument on which to play sprightly 'Ayres,' or as an accompaniment for the voice, or 'in consort' with other instruments. Naturally, it figured frequently in 'serenading' especially when a love song had to be sung outside a lady's window. The general shape of a Lute was that of a mandoline, but about four times as big. Like the mandoline, it had a flat belly, and a great basin-shaped back. But in every other respect it was entirely different. It was used more in the fashion of a guitar, and its strings (which were of gut) were plucked with the fingers.

Adrian Le Roy's book, published in Paris about 1570, says the six strings were tuned as follows—1st (minikin), C in third space, treble staff; 2nd (small mean), G on second line; 3rd (great mean), D under the staff; 4th (counter-tenor), B flat over the bass staff; 5th (tenor), F on fourth Hne; and 6th (base), C in second space.

Scipione Cerreto, however (Naples 1601), gives quite a different account of the Italian Lute of eight strings, the tuning of which seems to have extended the compass downwards to C under the bass staff. Thomas

  1. See Frontispiece.