How difficult it is for even learned and intelligent men to rise above the literal interpretation of metaphor is illustrated by the fact that Motoöri treats this suggestion with great scorn, pointing out that there is an actual entrance to Yomi in the province of Idzumo.
Izanami went to Yomi when she died. She is called the Great Deity of Yomi. It is also spoken of as the abode of Susa no wo, who, according to one myth, was appointed to rule this region. We also hear of the deities of Yomi, the armies of Yomi, the ugly females of Yomi, and the Road-Wardens of Yomi. Thunder-Gods are said to have been generated there from the dead body of Izanami. All these are probably various personifications of death and disease.
In modern times Yomi has been identified with Jigoku, the inferno of the Buddhists, which is a place of torture for the wicked. Our own word hell has undergone a similar change of application.
In the Manyōshiu heaven is mentioned as the destination of a deceased Mikado, while in the very same poem a prince is spoken of as dwelling in his tomb in silence and solitude. The Toko-yo no kuni, or Eternal Land, is another home of the dead. The God Sukunabikona went thither when he died. So did a brother of the first Mikado, Jimmu. The Toko-yo no kuni is identified by some with Hōrai-san, the Chinese island paradise of the Eastern Sea, and by others with China itself. The orange is said to have been introduced from the Toko-yo no kuni. In the Manyōshiu poem of Urashima, the Toko-yo no kuni is the same as the submarine palace of the Sea-Gods, where death and old age are unknown. Toko-yo tachi (ye immortal ones!) is a complimentary exclamation in a poem of the Nihongi.
The most definite statement regarding the continued existence of men after death occurs in the Nihongi under the legendary date A.D. 367:—
