whom one has loved in life to follow him in death. Though it be an ancient custom, why follow it if it is bad? From this time forward, take counsel so as to put a stop to the following of the dead.'
"A.D. 3, 7th month, 6th day. The Empress Hibasu-hime no Mikoto died. Some time before the burial, the Emperor commanded his Ministers, saying: 'We have already recognized that the practice of following the dead is not good. What should now be done in performing this burial?' Thereupon Nomi no Sukune came forward and said: 'It is not good to bury living men upright at the tumulus of a prince. How can such a practice be handed down to posterity? I beg leave to propose an expedient which I will submit to Your Majesty.' So he sent messengers to summon up from the Land of Idzumo a hundred men of the clay-workers' Be. He himself directed the men of the clay-workers' Be to take clay and form therewith shapes of men, horses, and various objects, which he presented to the Emperor, saying: 'Henceforward let it be the law for future ages to substitute things of clay for living men, and to set them up at tumuli.' Then the Emperor was greatly rejoiced, and commanded Nomi no Sukune, saying: 'Thy expedient hath greatly pleased Our heart.' So the things of clay were first set up at the tomb of Hibasu-hime no Mikoto. And a name was given to these clay objects.[1] They were called haniwa, or clay rings.
"Then a decree was issued, saying: 'Henceforth these clay figures must be set up at tumuli: let not men be harmed.' The Emperor bountifully rewarded Nomi no Sukune for this service, and also bestowed on him a kneading-place, and appointed him to the official charge of the clay-workers' Be. His original title was therefore changed, and he was called
- ↑ Some of these figures are still in existence, and one may be seen in the British Museum, where it constitutes the chief treasure of the Gowland Collection. The Uyeno Museum, in Tokio, also possesses specimens, both of men and horses.
