also madethem cry out: 'The new riches have come!' Both in the country and in the metropolis people took the insect of the Everlasting World and, placing it in a pure place, with song and dance invoked happiness. They threw away their treasures, but to no purpose whatever. The loss and waste was extreme. Hereupon Kahakatsu, Kadono no Hada no Miyakko, was wroth that the people should be so much deluded, and slew Ohofube no Ohoshi. The wizards and witches were intimidated, and ceased to persuade people to this worship. The men of that time made a song, saying:
Udzumasa
Has executed
The God of the Everlasting World
Who we were told
Was the very God of Gods.
"This insect is usually bred on orange trees, and sometimes on the hosoki. It is over four inches in length, and about as thick as a thumb. It is of a grass-green colour with black spots, and in appearance very much resembles the silkworm."
We may note here the popular identification of the prophet with the God whom he served, and the worship of a caterpillar, which apparently played the part of the ear of corn in the Eleusinian mysteries.
Shintai.—Concurrent with the development of the spirituality of Shinto there arose a greater necessity for some visible concrete token of the presence of the God.[1] This is known as the mitama-shiro (spirit representative, spirit-token), or more commonly as the shintai (god-body). The shintai varies much in form. It is frequently a mirror
- ↑ "The symbol or permanent object, at and through which the worshipper came into direct contact with the God, was not lacking in any Semitic place of worship, but had not always the same form, and was sometimes a natural object, sometimes an artificial erection."—Robertson Smith, 'Religion of the Semites,' p. 160.
