shape rose in relief from the dark panelling behind. Shirley's clear cheek was tinted yet with the colour which had risen into it a few minutes since: the dark lashes of her eyes looking down as she read, the dusk yet delicate line of her eyebrows, the almost sable gloss of her curls, made her heightened complexion look fine as the bloom of a red wild-flower, by contrast. There was natural grace in her attitude, and there was artistic effect in the ample and shining folds of her silk dress—an attire simply fashioned, but almost splendid from the shifting brightness of its dye, warp and woof being of tints deep and changing as the hue on a pheasant's neck. A glancing bracelet on her arm produced the contrast of gold and ivory: there was something brilliant in the whole picture. It is to be supposed that Moore thought so, as his eye dwelt long on it, but he seldom permitted his feelings or his opinions to exhibit themselves in his face: his temperament boasted a certain amount of phlegm, and he preferred an undemonstrative, not ungentle, but serious aspect, to any other.
He could not, by looking straight before him, see Caroline, as she was close at his side; it was necessary, therefore, to manœuvre a little to get her well within the range of his observation: he leaned back in his chair, and looked down on her. In Miss Helstone, neither he nor any one else could discover brilliancy. Sitting in the shade, without flowers or ornaments, her attire the modest muslin dress, colourless but for its narrow stripe of pale azure, her
