was still running. In September it went on the road and he did not notice it. When all but twenty dollars of his money was gone, he moved to a fifteen-cent lodging-house in the Bowery, where there was a bare lounging-room filled with tables and benches as well as some chairs. Here his preference was to close his eyes and dream of other days, a habit which grew upon him. It was not sleep at first, but a mental hearkening back to scenes and incidents in his Chicago life. As the present became darker, the past grew brighter, and all that concerned it stood in relief.
He was unconscious of just how much this habit had hold of him until one day he found his lips repeating an old answer he had made to one of his friends. They were in Fitzgerald and Moy's. It was as if he stood in the door of his elegant little office, comfortably dressed, talking to Sagar Morrison about the value of South Chicago real estate in which the latter was about to invest.
"How would you like to come in on that with me?" he heard Morrison say.
"Not me," he answered, just as he had years before. "I have my hands full now."
The movement of his lips aroused him. He wondered whether he had really spoken. The next time he noticed anything of the sort he really did talk.
"Why don't you jump, you bloody fool?" he was saying. "Jump!"
It was a funny English story he was telling to a company of actors. Even as his voice recalled him, he was smiling. A crusty old codger, sitting near by, seemed disturbed; at least, he stared in a most pointed way. Hurstwood straightened up. The humour of the memory fled in an instant and he felt ashamed. For relief, he left his chair and strolled out into the streets.
