Page:Songs of the Springtides - Swinburne (1880).pdf/148

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NOTES.

v.33.Odes et Ballades, 1822–1824.
57.Les Orientales, 1829.
69.Les Feuilles d'Automne, 1831.
71.Les Chants du Crépuscule, 1835.
73.Les Voix Intérieures, 1837.
81.Les Rayons et les Ombres, 1840.
101.Hernani, 1830.
105.Marion de Lorme, 1831.
109.Le Roi s'amuse, 1832.
113.Lucrèce Borgia, 1833.
121.Marie Tudor, 1835.
127.Angelo, Tyran de Padoue, 1835.
129.La Esmeralda, 1836.
133.Ruy Blas, 1838.
137.Les Burgraves, 1842.

153.Cromwell, 1827: Étude sur Mirabeau, 1834 (Littérature et Philosophie mêlées, 1819–1834).
177.Han d'Islande, 1823. Bug-Jargal, 1826.
182.Le Dernier Jour d'un Condamné, 1829: Claude Gueux,1834.
193.Notre-Dame de Paris, 1831.

205.Le Rhin, 1845.

216.Napoléon le Petit, 1852. Châtiments, 1853. Histoire d'un Crime, 1877. In this place I must take occasion to relieve my conscience from a sense of duty unfulfilled so long as I for one have not uttered my own poor private protest—worthless and weightless though it may seem, if cast as a grain into the scale of public opinion—against a projected insult at once to contemporary France and to the present only less than to past generations of Englishmen.