this week! But I know him. He thinks because you’re earning he needn’t keep the house any longer. No, all he has to do with his money is to guttle it. But I’ll show him!”
“Oh, mother, don’t!” cried Paul.
“Don’t what, I should like to know?” she exclaimed.
“Don’t carry on again. I can’t work.”
She went very quiet.
“Yes, it’s all very well,” she said; “but how do you think I’m going to manage?”
“Well, it won’t make it any better to whittle about it.”
“I should like to know what you’d do if you had it to put up with.”
“It won’t be long. You can have my money. Let him go to hell.”
He went back to his work, and she tied her bonnet-strings grimly. When she was fretted he could not bear it. But now he began to insist on her recognizing him.
“The two loaves at the top,” she said, “will be done in twenty minutes. Don’t forget them.”
“All right,” he answered; and she went to market. He remained alone working. But his usual intense concentration became unsettled. He listened for the yard-gate. At a quarter-past seven came a low knock, and Miriam entered.
“All alone?” she said.
“Yes.”
As if at home, she took off her tam-o’-shanter and her long coat, hanging them up. It gave him a thrill. This might be their own house, his and hers. Then she came back and peered over his work.
“What is it?’ she asked.
“Still design, for decorating stuffs, and for embroidery.”
She bent short-sightedly over the drawings.
It irritated him that she peered so into everything that was his, searching him out. He went into the parlour and returned with a bundle of brownish linen. Carefully unfolding it, he spread it on the floor. It proved to be a curtain or portière, beautifully stencilled with a design on roses.
“Ah, how beautiful!” she cried.
The spread cloth, with its wonderful reddish roses and dark green stems, all so simple, and somehow so wicked-looking, lay at her feet. She went on her knees before it,
