"Of course—the mater has a little money. The old place is sold. They have taken a cottage in the wilds of Sussex. Elsie is married—you know. Freda is at home; no servant, so she does things. They are trying to keep Molly on at school; she's sixteen now. And of course—my allowance. And I'm in debt; she left me debts. O, my God—Sorrell, what am I to do?"
Kit pondered a moment. Then he opened the door, and going to the head of the stairs, called down them to someone below.
"Ada. Oh, are you there? My friend is going to have supper with me. Can you manage something? Yes. Splendid. Very good of you."
He returned to Pentreath,—and pulling up the blinds, let in the slanting sunlight.
"No need to keep the blinds down, old chap. Face the light; light's good. I'll look after you."
Pentreath burst into tears.
"You are the only friend, Sorrell"
"That's all right. We have got to fix things up. I can treat you. No need for anybody to know. As a matter of fact, too, I don't spend all that my pater allows me, so I can manage to let you have a little."
Kit took Pentreath back to that back street in Clapham and stood in Pentreath's poor little room where the gas spluttered through a worn-out gas mantle, and the atmosphere of a woman still lingered.
Pentreath had flared into a sudden, futile rage.
"The scent she used. Beastly! I've had the windows open. Of course—I know now"
"What was she, old chap?"
"In a shop. I thought. She had such a baby face. Damn it,—I can't know anything of women!"
Christopher turned away. He saw that all the Pentreath photographs had been arranged upon the mantelpiece,—they were great people for photographs—the Pentreaths, and Maurice began to tell him that after the last vile denouement with his wife, he had got out all his photos.
"She wouldn't have them about. Said they looked like
