the bottle-counter, under the map of the world and the cards of navy officers. In the whole length of the single shoreside street, with its scattered board houses looking to the sea, its grateful shade of palms and green jungle of puraos, no moving figure could be seen. Only, at the end of the rickety pier, that once (in the prosperous days of the American rebellion) was used to groan under the cotton of John Hart, there might have been spied upon a pile of lumber the famous tattooed white man, the living curiosity of Tai-o-hae.
His eyes were open, staring down the bay. He saw the mountains droop, as they approached the entrance, and break down in cliffs: the surf boil white round the two sentinel islets; and between, on the narrow bight of blue horizon, Ua-pu upraise the ghost of her pinnacled mountain-tops. But his mind would take no account of these familiar features; as he dodged in and out along the frontier line of sleep and waking, memory would serve him with broken fragments of the past: brown faces and white, of skipper and shipmate, king and chief, would arise before his mind and vanish; he would recall old voyages, old landfalls in the hour of dawn; he would hear again the drums beat for a man-eating festival; perhaps he would summon up the form of that island princess for the love of whom he had submitted his body to the cruel hands of the tattooer, and now sat on the lumber, at the pier-end of Tai-o-hae, so strange a figure of a European. Or perhaps, from yet further back, sounds and scents of England and his childhood might assail him: the merry clamour of cathedral bells, the broom upon the foreland, the song of the river on the weir.
It is bold water at the mouth of the bay; you can steer a ship about either sentinel, close enough to toss a biscuit on the rocks. Thus it chanced that, as the tattooed man sat dozing and dreaming, he was
