in this decision; but I scarce suppose so, for the intimacy was already far advanced. I had a genuine and lively taste for my compatriot; I laughed at, I scolded, and I loved him. He, upon his side, paid me a kind of doglike service of admiration, gazing at me from afar off as at one who had liberally enjoyed those “advantages” which he envied for himself. He followed at heel; his laugh was ready chorus; our friends gave him the nickname of “The Henchman.” It was in this insidious form that servitude approached me.
Pinkerton and I read and re-read the famous news: he, I can swear, with an enjoyment as unalloyed and far more vocal than my own. The statue was nearly done: a few days' work sufficed to prepare it for exhibition; the master was approached; he gave his consent; and one cloudless morning of May beheld us gathered in my studio for the hour of trial. The master wore his many-hued rosette; he came attended by two of my French fellow-pupils—friends of mine and both considerable sculptors in Paris at this hour. “Corporal John” (as we used to call him) breaking for once those habits of study and reserve which have since carried him so high in the opinion of the world, had left his easel of a morning to countenance a fellow-countryman in some suspense. My dear old Romney was there by particular request; for who that knew him would think a pleasure quite complete unless he shared it, or not support a mortification more easily if he were present to console? The party was completed by John Myner, the Englishman; by the brothers Stennis—Stennis-ainé and Stennis-frère, as they used to figure on their accounts at Barbizon—a pair of hare-brained Scots; and by the inevitable Jim, as white as a sheet and bedewed with the sweat of anxiety.
I suppose I was little better myself when I unveiled the Genius of Muskegon. The master walked about it seriously; then he smiled.
