tions. This was one of those occasions for Harry Hartley; and those who knew him best would have been the most astonished at the lad's audacity. He stopped dead, flung the bandbox over a garden wall, and leaping upward with incredible agility and seizing the copestone with his hands, he tumbled headlong after it into the garden.
He came to himself a moment afterwards, seated in a border of small rosebushes. His hands and knees were cut and bleeding, for the wall had been protected against such an escalade by a liberal provision of old bottles; and he was conscious of a general dislocation and a painful swimming in the head. Facing him across the garden, which was in admirable order, and set with flowers of the most delicious perfume, he beheld the back of a house. It was of considerable extent, and plainly habitable; but, in odd contrast to the grounds, it was crazy, ill-kept, and of a mean appearance. On all other sides the circuit of the garden wall appeared unbroken.
He took in these features of the scene with mechanical glances, but his mind was still unable to piece together or draw a rational conclusion from what he saw. And when he heard footsteps advancing on the gravel, although he turned his eyes in that direction, it was with no thought either for defense or flight.
The new comer was a large, coarse, and very sordid personage, in gardening clothes, and with a watering-pot in his left hand. One less confused would have been affected with some alarm at the sight of this man's huge proportions and black and lowering eyes. But Harry was too gravely shaken by his fall to be so much as terrified; and if he was unable to divert his glances from the gardener, he remained absolutely passive, and suffered him to draw near, to take him by the shoulder, and to plant him roughly on his feet, without a motion of resistance.
For a moment the two stared into each other's eyes,
