productions are to our poetical works. To be awakened and excited by great models is very different from close imitation.
"Then," exclaimed the young Dane, "according to my idea and view of the case, it is impossible that any truly original genius could exist in modern times, but Shakspeare alone, who was neither an imitator himself, nor could he be excited by other models. And it is therefore to him alone, that I unconditionally bow down my head, as to the highest, the best, from whom we Danes have learnt, but whom we have never copied. But, if we agree to this homage, we are also justified to require the same from the Germans."
"Even allow this to be granted," replied the German, "can a modern school, and that one of the most modern, attempt to persuade us that we have already done too much good in this respect? But, you Danes, since you are such very devoted patriots, ought you to be so enthusiastic about this arrogant Briton? for—"
As the German professor looked in a very peculiar manner when he uttered this sentence, his friends were all struck by it; the lively Dane interrupted him with greater zeal, exclaiming,
