Then commenced between the Princess Hermonthis and her foot—which appeared to be endowed with a special life of its own—a very fantastic dialogue in a most ancient Coptic tongue, such as might have been spoken thirty centuries ago in the syrinxes of the land of Ser: luckily, I understood Coptic perfectly well that night.
The Princess Hermonthis cried, in a voice sweet and vibrant as the tones of a crystal bell:
"Well, my dear little foot, you always flee from me; yet I always took good care of you. I bathed you with perfumed water in a bowl of alabaster; I smoothed your heel with pumice-stone mixed with palm oil; your nails were cut with golden scissors and polished with a hippopotamus tooth; I was careful to select tatbebs for you, painted and embroidered and turned up at the toes, which were the envy of all the young girls in Egypt: you wore on your great toe rings bearing the device of the sacred Scarabæus; and you supported one of the lightest bodies that a lazy foot could sustain."
The foot replied, in a pouting and chagrined tone:
"You know well that I do not belong to myself any longer;—I have been bought and paid for; the old merchant knew what he was about; he bore you a grudge for having refused to espouse him;—this is an ill turn which he has done