ACT FOUR
Scene: An evening early in the following winter about seven months later. The Professor’s study again. The books in the cases have never been touched, their austere array shows no gaps, but the glass separating them from the world is gray with dust, giving them a blurred ghostly quality. The table, although it is the same, is no longer the Professor’s table, just as the other furniture in the room, by its disarrangement, betrays that the Professor’s well-ordered mind no longer trims it to his personality. The table has become neurotic. Volumes of the Encyclopedia Britannica mixed up with popular treatises on Mind Training for Success, etc., looking startlingly modern and disturbing against the background of classics in the original, are slapped helter-skelter on top of each other on it. The titles of these books face in all directions, no one volume is placed with any relation to the one beneath it—the effect is that they have no connected meaning. The rest of the table is littered with an ink bottle, pens, pencils, erasers, a box of typewriting paper, and a typewriter at the center before the chair, which is pushed back, setting the rug askew. On the floor beside the table are an overflowing wastepaper basket, a few sheets of paper and the rubber cover for the typewriter like a collapsed tent. The rocking chair is no longer at center but has been pulled nearer the table, directly faces it
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