the street with a wound on my head and was brought there in an ambulance. They thought I must have fallen and struck my head upon the stones. There was nothing to show who I was. I have never been able to remember. After I was discharged from the hospital, I took up the violin. I have had success. Mrs. Barry—I do not know your name except that—I love you; the first time I saw you I realized that you were the one woman in the world for me—and”—oh, a lot of stuff like that.
Helen felt young again. First a wave of pride and a sweet little thrill of vanity went all over her; and then she looked Ramonti in the eyes, and a tremendous throb went through her heart. She hadn’t expected that throb. It took her by surprise. The musician had become a big factor in her life, and she hadn’t been aware of it.
“Mr. Ramonti,” she said sorrowfully (this was not on the stage, remember; it was in the old home near Abingdon Square), “I’m awfully sorry, but I’m a married woman.”
And then she told him the sad story of her life, as a heroine must do, sooner or later, either to a theatrical manager or to a reporter.
Ramonti took her hand, bowed low and kissed it, and went up to his room.
Helen sat down and looked mournfully at her hand.
