boy holding a hank of yarn for his grandmother to wind into a ball.
But when H came on, “The Mustard” suddenly sat up straight. H was the happy alphabetical prognosticator of Winona Cherry, in Character Songs and Impersonations. There were scarcely more than two bites to Cherry; but she delivered the merchandise tied with a pink cord and charged to the old man’s account. She first showed you a deliciously dewy and ginghamy country girl with a basket of property daisies who informed you ingenuously that there were other things to be learned at the old log school-house besides cipherin’ and nouns, especially “When the Teach-er Kept Me in.” Vanishing, with a quick flirt of gingham apron-strings, she reappeared in considerably less than a “trice” as a fluffy “Parisienne”—so near does Art bring the old red mill to the Moulin Rouge. And then—
But you know the rest. And so did Bob Hart; but he saw somebody else. He thought he saw that Cherry was the only professional on the short order stage that he had seen who seemed exactly to fit the part of “Helen Grimes” in the sketch he had written and kept tucked away in the tray of his trunk. Of course Bob Hart, as well as every other normal actor, grocer, newspaper man, professor, curb broker, and farmer, has a play tucked away somewhere. They tuck ’em in trays of trunks, trunks of trees, desks, haymows, pigeonholes, inside pockets, safe-deposit vaults, handboxes, and coal cellars, wait-
