the street glides into a medieval solitude. On each side are the shops devoted to “Antiques.”
Let us say it is night. Men in rusty armor stand in the windows and menace the hurrying cars with raised, rusty iron gauntlets. Hauberks and helms, blunderbusses, Cromwellian breastplates, matchlocks, creeses, and the swords and daggers of an army of dead-and-gone gallants gleam dully in the ghostly light. Here and there from a corner saloon (lit with Jack-o’-lanterns or phosphorus), stagger forth shuddering, home-bound citizens, nerved by the tankards within to their fearsome journey adown that eldrich avenue lined with the blood-stained weapons of the fighting dead. What street could live inclosed by these mortuary relics, and trod by these spectral citizens in whose sunken hearts scarce one good whoop or tra-la-la remained?
Not Fourth Avenue. Not after the tinsel but enlivening glories of the Little Rialto—not after the echoing drum-beats of Union Square. There need be no tears, ladies and gentlemen; ’tis but the suicide of a street. With a shriek and a crash Fourth Avenue dives headlong into the tunnel at Thirty-fourth and is never seen again.
Near the sad scene of the thoroughfare’s dissolution stood the modest restaurant of Quigg. It stands there yet if you care to view its crumbling red-brick front, its show window heaped with oranges, tomatoes, layer cakes, pies, canned asparagus—its papier-mâché lobster and two Maltese kittens asleep on a bunch of lettuce—if you care
