them so much of their lost daughter. The Brooklyn matron, née Ramsey, had the figure of Buddha and a face like the ideal of an art photographer. Miss Merriam was a combination of curves, smiles, rose leaves, pearls, satin and hair-tonic posters. Enough of the fatuity of parents.
A month after the worthy couple became acquainted with Miss Merriam, she stood before Hinkle one afternoon and resigned her cashiership.
“They’re going to adopt me,” she told the bereft restaurateur. “They’re funny old people, but regular dears. And the swell home they have got! Say, Hinkle, there isn’t any use of talking—I’m on the à la carte to wear brown duds and goggles in a whiz wagon, or marry a duke at least. Still, I somehow hate to break out of the old cage. I’ve been cashiering so long I feel funny doing anything else. I’ll miss joshing the fellows awfully when they line up to pay for the buckwheats and. But I can’t let this chance slide. And they’re awfully good, Hinkle; I know I’ll have a swell time. You owe me nine-sixty-two and a half for the week. Cut out the half if it hurts you, Hinkle.”
And they did. Miss Merriam became Miss Rosa McRamsey. And she graced the transition. Beauty is only skin-deep, but the nerves lie very near to the skin. Nerve—but just here will you oblige by perusing again the quotation with which this story begins?
The McRamseys poured out money like domestic cham-
