II
THE GOLD THAT GLITTERED
A STORY with a moral appended is like the bill of a mosquito. It bores you, and then injects a stinging drop to irritate your conscience. Therefore let us have the moral first and be done with it. All is not gold that glitters, but it is a wise child that keeps the stopper in his bottle of testing acid.
Where Broadway skirts the corner of the square presided over by George the Veracious is the Little Rialto. Here stand the actors of that quarter, and this is their shibboleth: “‘Nit,’ says I to Frohman, ‘you can’t touch me for a kopeck less than two-fifty per,’ and out I walks.”
Westward and southward from the Thespian glare are one or two streets where a Spanish-American colony has huddled for a little tropical warmth in the nipping North. The centre of life in this precinct is “El Refugio,” a café and restaurant that caters to the volatile exiles from the South. Up from Chili, Bolivia, Colombia, the rolling republics of Central America and the ireful islands of the Western Indies flit the cloaked and sombreroed señores, who are scattered like burning lava by the political eruptions of their several countries.
