illustrative in any broad way of the practice of æsthetic morals; and yet, since he is not national, nor local, nor historic, in his essential self, since he is more than an enlightened philosopher, and yet less than the enlightened Christian, since his personality approaches the elect souls of other ages, other sentiments and devotions, and yet is without any real contact with them, he is typical and illustrative perhaps of something that might be. This confusedness of impression springs from the fact that Mr. Pater, while he imagines in Italy, always thinks in London; he has modernized his hero, has Anglicized him, indeed, and nevertheless has not really taken him out of the second century. It was a bold thing to attempt. It was necessary for his purposes as an evangelist of ideal living, and perhaps within the range of moral teaching it is successful; but the way in which it was done is a main point of interest.
A Roman Epicurean, one suspects, was not unlike the proverbial Italianated Englishman. The native incompatibility between the distinctive Roman temperament and the light-hearted gayety of Greek sensuousness was similiar to that between the
