really belonged to him, and which perhaps the Serchio last knew when it bore him and his boat on his summer-day voyages. This side of his nature ought to be remembered, as well as that "occasionally fiery, resentful, and indignant" quality which Godwin observed, and the intense and restless practicality of the impatient reformer, when one thinks of Shelley (as he has been too often represented) as only a morbid, sensitive, idealizing poet, of a rather feminine spirit. That portrait of him is untruthful, for he was of a most masculine, active, and naturally joyful nature.
After he left England for the last time, and took up his abode in Italy, principally, it would seem, because of the social reproach and public stigma under which he lived, and by which he felt deeply wronged, he was not really much more fortunate in his company. The immediate reason for the journey was to take Byron's natural daughter, Allegra, to her father at Venice; the mother, Miss Clairmont, went with them, and, as it turned out, continued to be a member of Shelley's family, as she had been since his union with Mary. It is now known that the Shelleys were ignorant of the lia-
