Page:Studies in Letters and Life (Woodberry, 1890).djvu/192

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182
SOME ACTORS' CRITICISMS.

should excite, is nearer that which Lady Martin describes as her experience: "I have always felt in the acting that my desire to find extenuations for Shylock's race and for himself leaves me, and my heart grows almost as stony as his own. I see his fiendish nature fully revealed. I have seen the knife sharpened to cut quickly through the flesh, the scales brought forward to weigh it; have watched the cruel, eager eyes, all strained and yearning to see the gushing blood welling from the side 'nearest the heart,' and gloating over the fancied agonies and death-pangs of his bitter foe. This man-monster, this pitiless, savage nature, is beyond the pale of humanity; it must be made powerless to hurt. I have felt that with him the wrongs of his race are really as nothing compared with his own remorseless hate. He is no longer the wronged and suffering man; and I longed to pour down on his head the 'justice' he has clamored for, and will exact without pity." Upon this matter Spedding admits of no reply. "The best contribution," he says, "which I can offer to this discussion is the expression of an old man's difficulty in accepting these new discoveries of profound moral and political de-