During the years of his maturity he was a broken man, and knew himself to be such; from the time that, in becoming the victim of opium, he lost what little will-power was originally his, he felt that the spirit of imagination had left his house of life, and in its place was henceforward
"Sense of past youth, and manhood come in vain,
And genius given, and knowledge won in vain;"
and in this mood of pervading despondency he seems always in fancy to be haunting the grave of his dead self. This consciousness of his loss, though it had more of the stupor of despair than of the sharpness of penitence, lends some impressiveness to his story; but this pain was not searching enough to save him for himself, nor of a kind to make men oblivious of those violent contrasts in his life which offend our sense of rightness. It is a morally confusing spectacle to see genius professing the highest knowledge of the secret things of God, but itself wrecked; and it requires something more than the poet's sorrow at the withering of his wreath to reconcile such an antithesis.
Then, too, although Coleridge's poetic imagination undoubtedly was quenched at once,
