like flowers in their gardens, but they crown no achievement. At the end, no cause is advanced, no goal is won. This incoherence and inefficiency proceed from the absence of any definite scheme of life, any compacted system of thought, any central principles, any strong, pervading, and ordering personality.
In the same way the objectivity of Landor's work, its naturalism as distinguished from imaginativeness, results from the same cause, but with the difference that, while the faults already mentioned are largely due to an imperfect equipment of the mind, his mode of art seems to have been adopted by conscious choice and of set purpose. The opinion of those who look on naturalism as a virtue in art is deserving of respect. We have been admonished for a long while that men should see things as they are, and present them as they are, and that this was the Greek way. The dictum, when applied with the meaning that men should be free from prejudice and impartial in judgment, no one would contest; but when it is proclaimed with the meaning that poets should express ideas nakedly, and should reproduce objects by portraiture, there is excuse for
