ON BROWNING'S DEATH.
The death of Browning brings one stage nearer the too plainly approaching end of a literary age which will long be full of curious interest to the student of the moods of the mind of man. Time has linked his name with that of Tennyson, and the conjunction gives to England another of those double stars of genius in which her years are rich, and by which the spirit of an age has a twofold expression. The old opposition, the polarity of mind, by virtue of which the Platonist differs from the Aristotelian, the artist from the thinker, Shakespeare from Jonson, shows its efficacy here, too, in the last modern age, and divides the poets and their admirers by innate preferences. It is needful to remember this contrast, though not to insist upon it unduly, in order to approach the work of Browning rightly, to be just to those who idolize him without offense to those who are repelled by him. The analysis of his powers, the charting of his
