this the original theory—at least one that he has made his own—that whatever the soul seeks it should seek with all its might; and, pushing to the extreme, he urges that if a man sin, let him sin to the uttermost of his desire. This is the moral of the typical poem of this class, The Statue and the Bust, and he means more by this than that the intention, sinning in thought, is equivalent to sinning in act,—he means that a man should have his will. No doubt this is directly in accord with the great value he places on strength of character, vitality in life, on resolution, courage, and the braving of consequences. But the ignoring of the immense value of restraint as an element in character is complete; and in the case of many whose choice is slowly and doubtfully made in those younger years when the desire for life in its fullness of experience is strongest, and the wisdom of knowledge of life in its effects is weakest, the advice to obey impulse at all costs, to throw doubt and authority to the winds, and "live my life and have my day," is of dubious utility. Over and over again in Browning's poetry one meets with this insistence on the value of moments of high excitement, of intense liv-
