which distinguished the anti-Catholic and anti-patristic theology of the age, but held little consort with any of the complex definitions at that time insisted on as the symbols of Protestant orthodoxy. Had the Puritan spirit been as genuine a thing as the spirit of liberty which accompanied it; had it been such as their reverence for Milton makes many suppose it to have been, the mood would not so soon have yielded to the licentiousness that followed the Restoration.... To him the classic model supplied, not the adornment of his poem, but its structure and form. The soul that wielded that mould was, if not exactly the spirit of Christianity, at least a religious spirit—profound, zealous, and self-reverent—as analogous, perhaps, in its temper to the warlike religion of the Eastern Prophet as to the traditional faith of the Second Dispensation. Such was the mighty fabric which, aloof and in his native land an exile, Milton raised; not perfect, not homogeneous, not in any sense a national work, but the greatest of all those works which prove that a noble poem may be produced with little aid from local sympathies, and none from national traditions."
Some expressions in this passage, and
