Page:Studies in the history of the renaissance (IA studiesinhistor01pategoog).djvu/43

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ii.
PICO DELLA MIRANDULA
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touchingly, and sang with such magic, and was withal so beautiful in form and feature, that all the women wept, and many of them were so deeply impressed that they shortly afterwards fell sick. And some time afterwards the people wished to drag him from the grave again, that a stake might be driven through his body, in the belief that he had been a vampire, and that the sick women would by this means recover. But they found the grave empty.'

The Renaissance of the fifteenth century was in many things great rather by what it designed than by what it achieved. Much which it aspired to do, and did but imperfectly or mistakenly, was accomplished in what is called the éclaircissement of the eighteenth century, or in our own generation, and what really belongs to the revival of the fifteenth century is but the leading instinct, the curiosity, the initiatory idea. It is so with this very question of the reconciliation of the religion of antiquity with the religion of Christ. A modern scholar occupied by this problem might observe that all religions may be regarded as natural products, that at least in their origin, their growth, and decay, they have common laws, and are not to be isolated from the other movements of the human mind in the periods in which they respectively prevailed; that they arise spontaneously out of