whom he forces back therein. (18) He then succours a maiden whom her jealous lover has thrown into a fountain; (19) punishes a damsel who tempts him in traitrous-wise; (20) meets with and is sore pressed by a giant, whom he overcomes; (21) has a fresh and victorious encounter with Kex, and, finally, (22) arrives at crossways, is directed by the cross to the Fisher King's court, reaches it, asks straightway for the Grail, is questioned by the King and relates his allegorical adventures. At table the Grail appears, followed by lance and sword. Perceval pieces together the sword, and the King, full of joy, embraces him.
Wolfram von Eschenbach's Parzival.—Gahmuret, Parzival's father, goes to the East, takes service with Baruc, wins the love of the heathen queen Belakane, but after remaining with her a short time forsakes her, promising to return if she become Christian. She bears a son, and names him Feirefiz. Gahmuret by his prowess at a tournament wins the love of Herzeloyde, whom he marries on condition he may go a tourneying every month. Hearing his old lord Baruc is in danger, he hastens to his aid, and is slain. Herzeloyde on receipt of the news resolves to withdraw to the wilderness, and bring up her son in ignorance of knighthood.
[From this point up to and including the adventure with Orgeuilleuse, where Chrestien's share of the Conte du Graal breaks off, Wolfram agrees very closely with Chrestien. It has been much debated in Germany whether he really had any other model but Chrestien, and whether his alleged model Kyot be not a feigned source to justify his departure from the story as found in the Conte du Graal. A brief outline of the arguments for and against this view will be found in Appendix A. The chief points of difference in the portion common to the two poets are: the more important position in the narrative assigned to Perceval's cousin, whom Wolfram names Sigune, who is fed from the Grail by the Grail messenger, the loathly damsel, and about whose loves with Schianatulander Wolfram has left fragments of another poem, Titurel. Parzival meets her immediately after his adventure with the lady of the tent. Parzival's love is named Condwiramur. On the first night of their marriage he leaves her maid (as in Gerbert's version). But the most important peculiarity of Wolfram's poem is his account of the Grail itself, a stone which yields all manner of food and drink, the power of which is sustained by a dove, which every week lays a Host upon it, given, after the fall of the rebel angels, in charge to Titurel and his dynasty, by them preserved in the Grail castle, Montsalvatch, guarded by a sacred order of knighthood whom it chooses itself. The knights are vowed to virginity, the king alone being allowed marriage. The cause of the maimed king's (Amfortas) hurt is his having taken up arms in the cause of worldly and unlawful love. When Parzival leaves the Grail castle after the first visit, he is mocked at by the inmates for having omitted the question. More stress is laid on the broken sword, connected with which is a magic spell Parzival must master before he can become lord of the
