CHAPTER IV
SUN. Dec. 9. Dead Man's Bend. Warrigal Alf down. Rescue twice. Enlisted Terrible Tommy.
NOW what would your novelist rede you from that record, if he had possession of my diary? Something mysterious and momentous, no doubt, and probably connected with buried treasure. Yet it is only the abstract and brief chronicle of a fair average day; a day happy in having no history worth mentioning; merely a drowsy morning, an idle mid-day, and a stirring afternoon. Life is largely composed of such uneventful days; and these are therefore most worthy of careful analysis.
How easy it is to recall the scene! The Lachlan river, filled by summer rains far away among the mountains, to a width of something like thirty yards, flowing silently past, and going to waste. Irregular areas of lignum, hundreds of acres in extent, and eight or ten feet in height, representing swamps; and long, serpentine reaches of the same, but higher in growth, indicating billabongs of the river. The river itself fringed, and the adjacent low ground dotted, with swamp box, river coolibah, and red-gum—the latter small and stunted in comparison with the giants of its species on the Murray and Lower Goulburn. On both sides of the river, far as the eye can command, extend the level plains of black or light-red soil, broken here and there by clumps and belts of swamp box, now cut off from the line of the horizon by the quivering, glassy stratum of the lower atmosphere.
And where the boundary fence of Mondunbarra and Avondale crosses the plain, is seen a fair example of the mirage—that phenomenon so vaguely apprehended in regions outside its domain, and so little noticed where repetition has made it familiar. But there it is; no smoky-looking film on the plain, no shimmering distortion of objects in middle-distance, but, to all appearance, a fine sheet of silvery water, two hundred yards distant, about the same in average width, and half-a-mile in length from right to left. Both banks are clearly defined; irregular promontories jut far out into the smooth water from each side; and the boundary fence crosses it, post after post, in diminishing perspective, like any fence standing in shallow, sunlit water. The most critical and deliberate examination can no more detect evidence of phantasy in the unreal water than in the real fence.
The mirage is one of Nature's obscure and cheerless jokes; and in this instance, as in some few others, she is beyond Art. She even assists the illusion by a very slight depression of the plain in the right place. In fact, an artist's picture of a mirage would be his picture of a level-brimmed, unruffled lake; also, the most skilful word-painter, in attempting to contrast
