and the world; of these she had no knowledge, for them no faculties. He wanted in her the head of his house; she to make her heart his home. No compromise was possible between natures of such unequal poise, and which had met only on one or two points. Through all its stages she
“felt
The agonizing sense
Of seeing love from passion melt
Into indifference;
The fearful shame that, day by day,
Burns onward, still to burn,
To have thrown her precious heart away.
And met this black return,”
till death at last closed the scene. Not that she died of one downright blow on the heart. That is not the way such cases proceed. I cannot detail all the symptoms, for I was not there to watch them, and aunt Z. was neither so faithful an observer or narrator as I have shown myself in the school-day passages; but, generally, they were as follows.
Sylvain wanted to go into the world, or let it into his house. Mariana consented; but, with an unsatisfied heart, and no lightness of character, she played her part ill there. The sort of talent and facility she had displayed in early days, were not the least like what is called out in the social world by the desire to please and to shine. Her excitement had been muse-like, that of the improvisatrice, whose kindling fancy seeks to create an atmosphere round it, and makes the chain through which to set free its electric sparks. That had been a time of wild and exuberant life. After her character became more
