THE RICHES OF DAMASCUS
astonishing what splendid effects are evolved by their architects from the limited elements of Arabic script, geometric designs, foliage, fruits and flowers. In the liwân this arabesque ornamentation is profuse and elegant. The lower walls are built of alternate layers of differently colored stones, into which are set mosaic panels as intricate in design as the priceless rugs which lie upon the marble pavement. The woodwork of the room is all minutely carved, and inlaid with bits of glass and mother-of-pearl and sometimes even with jewels. The upper walls are frescoed in blue and green and gold, and from the gilded beams of the ceiling hang chandeliers of silver and beaten brass.
This half out-of-doors alcove gives access to the rooms which we should think of as being really in the house. Some of these may be even more lavishly decorated than the liwân, and all are comfortably furnished—according to the Syrian idea of comfort. Into the apartments of the ladies, however, no male guest may enter. These are hareem—"forbidden." Indeed, it is very likely that they are in a separate building, which opens on an inner court whose existence the casual visitor does not even suspect. No men save her nearest relatives are supposed ever to look upon the unveiled face of a Moslem woman. This prohibition, however, is of neces-
mandment of the Prophet (the Koran, sura 5:92, etc.) would prohibit the use of even the carved figures of the chess knights.
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