THE GIANT STONES OF BAALBEK
Intricate stone-cut tracery runs riot over the double frieze, the fluted half-columns and niches, and the variously shaped panels which form the roof of the peristyle. There are flowers and fruits and leaves, vines and grapes and garlands, men and women, gods and goddesses, satyrs and nymphs, and the youthful god himself, surrounded by laughing bacchantes. Most elaborate of all is the carving around the lofty central portal, which is probably more exquisite in detail than anything else of its kind in existence. The door-posts are forty feet high, yet they are chiseled with such a delicacy that they seem almost as light as a filigree of Damascus silver-work. Upon the under side of the lintel a great eagle holds a staff in its claws, while from its beak droop long garlands of flowers, the ends of which are held by genii.
Of the Temple of Jupiter-Baal, which was the principal structure of the acropolis, only six columns are now standing; but these six can be seen far up and down the Bika'. As you stand beside them and look up, the columns appear of tremendous bulk, as indeed they are; yet their proportions are so elegant that at a little distance they seem almost frail. When you view them from many miles away, they appear as tenuous as the strings of a colossal harp, awaiting the touch of Æolus himself to set them vibrating in tremendous harmony. Now the columns, crossed by the cornice above, resemble a titanic gate ready to
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