so, if God pleases. But come over here. We'll have a chat together once more.…"
The room, on whose threshold they had been talking, was small in comparison with its height, with a grey-blue carpet, and furnished with cheery-looking silver-grey furniture, the chairs of which were upholstered in blue silk. A milk-white china chandelier hung from the white-festooned centre of the ceiling, and the walls were adorned with oil paintings of various sizes, acquisitions of Prince Philipp's, light studies in the new style, representing white goats in the sun, poultry in the sun, sun-bathed meadows and peasants with blinking, sun-sprinkled faces.
The spindle-legged secretaire in the white-curtained window was covered with a hundred carefully arranged articles, knick-knacks, writing materials, and several dainty note-blocks—for the Princess was accustomed to make careful and comprehensive notes about all her duties and plans. In front of the inkstand a housekeeper's book, in which Ditlinde had apparently just been working, lay open, and by the table there hung on the wall a little silk-trimmed block-calendar, under the printed date of which could be seen the pencil note: "5 o'clock: my brothers." Between the sofa and a semicircle of chairs over against the white swing doors into the reception room stood an oval table with a damask cloth and blue-silk border; the flowered tea-service, a jam-pot, long dishes of sweet cakes, and tiny pieces of bread and butter were arranged in ordered disorder on it, and to one side steamed the silver tea-kettle over its spirit-flame on a glass table. But there were flowers everywhere—flowers in the vases on the writing-table, on the tea-table, on the glass table, on the china-cabinet, on the table next the white sofa, and a flower-table full of flower-pots stood in the window.
This room, situated at the side and in a corner of the suite of reception rooms, was Ditlinde's cabinet, her
