his head and kept his mouth distended in a perpetual smile between his close-trimmed white whiskers, the while he half-closed his eyes. It was not till the last moment that people learned that it was the little clean shaven man in the faded overcoat, he who wore his hat pulled down over his eyes, who was the actual Spoelmann, and the spectators were agreed that there was nothing striking about him. All sorts of stories had been in circulation about him; some witty fellow had spread the report that Spoelmann had front teeth of solid gold and a diamond set in the middle of each. But although the truth or untruth of this report could not be tested at once—for Spoelmann did not show his teeth, he did not laugh, but rather seemed angry and irritated by his infirmity—yet when they saw him nobody was any longer inclined to believe it.
As for Miss Spoelmann, his daughter, she had turned up the collar of her fur coat, and stuffed her hands in the pockets, so that there was hardly anything to be seen of her except a pair of disproportionately big brown-black eyes, which swept the crowd with a serious look whose meaning it was hard to interpret. By her side stood the person whom the onlookers identified as her companion, the Countess Löwenjoul, a woman of thirty-five, plainly dressed and taller than either of the Spoelmanns, who carried her little head with its thin smooth hair pensively on one side, and kept her eyes fixed in front of her with a kind of rigid meekness. What without question attracted most attention was a Scottish sheep-dog which was led on a cord by a stolid-looking servant—an exceptionally handsome, but, as it appeared, terribly excitable beast, that leaped and danced and filled the station with its frenzied barking.
People said that a few of Spoelmann' s servants, male and female, had already arrived at the "Spa Court" some
