The Countess made a dignified bow—with an enigmatic smile, a side glance into the unknown, which had something seductive about it. When, however, she let her strangely evasive gaze again dwell on Klaus Heinrich, who stood before her in a composed and military attitude, the laugh vanished from her face, an expression of sadness settled on her features, and for a second a look of something like hatred for Klaus Heinrich shone in her slightly swollen grey eyes. It was only a passing look. Klaus Heinrich had no time to notice it, and forgot it immediately. The two young surgeons were presented to Imma Spoelmann, and then Klaus Heinrich suggested that they should continue the tour all together.
They went upstairs to the first story ; Klaus Heinrich and Imma Spoelmann in front, conducted by Doctor Sammet, then Countess Lowenjoul with Herr von Braunbart, and the young surgeons in the rear. Yes, the older children were here, up to fourteen years of age. An ante-room with wash-basins divided the girls' and the boys' rooms. In white bedsteads, with a name-plate at the head and a frame at the foot enclosing the temperature- and weight-charts—tended by nurses in white caps, and surrrounded by cleanliness and tidiness—lay the sick children, and coughs filled the room while Klaus Heinrich and Imma Spoelmann walked down between the rows.
He walked at her left hand, out of courtesy, with the same smile as when he visited exhibitions or inspected veterans, gymnastic associations, or guards of honour. But every time he turned his head to the right he found that Imma Spoelmann was watching him—he met her great black eyes, which were directed at him in a searching, questioning way. It was so peculiar, he never remembered experiencing anything so peculiar before, her way of looking at him with her great eyes, without any respect for him
