and blinking through its smoke, and gazed at his daughter with fond satisfaction.
More than once Klaus Heinrich showed in his face the look of pained bewilderment which he had noticed on a previous occasion on the face of the good sister, and yet he felt convinced that it was not Imma Spoelmann's intention to wound his feelings, that she did not consider him humbled because he was not successful in standing up to her, that she rather let his poor answers pass, as if she considered that he had no need of a sharp wit to defend him—it was only she who had. But how was that, and why? He thought involuntarily of Ueberbein at many of her sallies, of the nimble-tongued blusterer Ueberbein, who was a natural misfortune, and had grown up in conditions which he described as favourable. A youth of misery, loneliness, and misfortune, shut out from the blessings of fortune—such a man knew no luxury, no comfort, he saw himself clearly and cruelly thrown on his own resources, which assuredly gave him an advantage over those who "knew not necessity."
But Imma Spoelmann sat there in her red-gold dress at the table, reclining indolently, with the mocking look of a spoiled child; there she sat in confident ease, while her tongue ran on sharply and freely, as befitted an atmosphere of refinement and lively wit. But why did she give it play? Klaus Heinrich pondered the question, the while they discussed Atlantic steamers and plays. He sat bolt upright at the table, in a dignified and uncomfortable attitude, while he concealed his left hand, and more than once he felt a sidelong glance of hatred from the eyes of Countess Löwenjoul.
A servant came in and handed Mr. Spoelmann a telegram on a silver salver. Mr. Spoelmann tore it open crossly, glanced through it, blinking and with the remains of his cigarette in the corner of his mouth, and threw it
