flunkey brought the Prince a cup and plate. They discussed at tea the bewitched rose-bush, and then commonplace subjects, such as the Court Theatre, their horses, and all sorts of trivial topics. Imma Spoelmann time after time contradicted him, interposing polished quotations—to her own enjoyment, and his despair at the range of her reading—quotations which she uttered in her broken voice, with whimsical motions of her head. After a time a heavy, white-paper parcel was brought in, sent by the book-binders to Miss Spoelmann, containing a number of works which she had had bound in smart and durable bindings. She opened the parcel, and they all three examined the books to see if the binder had done his work well.
They were nearly all learned works whose contents were either as mysterious-looking as Imma Spoelmann's note-book, or dealt with scientific psychology, acute analyses of internal impulses. They were got up in the most sumptuous way, with parchment and crushed leather, gold letters, fine paper, and silk markers. Imma Spoelmann did not display much enthusiasm over the consignment, but Klaus Heinrich, who had never seen such handsome volumes, was full of admiration.
"Shall you put them all into the bookcase?" he asked. "With the others upstairs? I suppose you have quantities of books? Are they all as fine as these? Do let me see how you arrange them. I can't go yet, the weather's still bad and would ruin my white trousers. Besides, I've no idea how you live in Delphinenort, I've never seen your study. Will you show me your books?"
"That depends on the Countess," she said, busying herself with piling the volumes one on the other. "Countess, the Prince wants to see my books. Would you be so kind as to say what you think?"
Countess Löwenjoul was in a brown study. With her small head bent, she was watching Klaus Heinrich with a
