Page:Table-Talk, vol. 2 (1822).djvu/132

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122
ON CRITICISM.

slight and unsatisfactory to a modern reader. The writers, instead of “outdoing termagant or out-Heroding Herod,” were somewhat precise and prudish, gentle almost to a fault, full of candour and modesty,

“And of their port as meek as is a maid[1]!”

There was none of that Drawcansir work going on then that there is now; no scalping of authors, no hacking and hewing of their Lives and Opinions, except that they used those of Tristram Shandy, Gent., rather scurvily; which was to be expected. All, however, had a show of courtesy and good manners. The satire was covert and artfully insinuated; the praise was short and sweet. We meet with no oracular theories; no profound analysis of principles; no unsparing exposure of the least discernible deviation from them. It was deemed sufficient to recommend the work in general terms, “This is an agreeable volume,” or “This is a work

  1. A Mr. Rose and the Rev. Dr. Kippis were for many years its principal support. Mrs. Rose (I have heard my father say) contributed the Monthly Catalogue. There is sometimes a certain tartness and the woman’s tongue in it. It is said of Gray’s Elegy—“This little poem, however humble its pretensions, is not without elegance or merit.” The characters of prophet and critic are not always united.