Page:Table-Talk, vol. 2 (1822).djvu/247

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
WHY DISTANT OBJECTS PLEASE.
237

you have ocular proofs that he is sallow, and pale as a ghost. This does not much mend the matter; but it blunts the edge of the ridicule, and turns your indignation against the inventor of the lie; but he is {{{1}}}— — —, the editor of a Scotch magazine; so you are just where you were. I am not very fond of anonymous criticism; I want to know who the author can be: but the moment I learn this, I am satisfied. Even {{{1}}}— — — would do well to come out of his disguise. It is the mask only that we dread and hate: the man may have something human about hi from partial representations, or from guess-work, are simple uncompounded ideas, which answer to nothing in reality: those which we derive from experience are mixed modes, the only true, and, in general, the most favourable ones. Instead of naked deformity, or abstract perfection—

“Those faultless monsters which the world ne’er saw”—

“the web of our lives is of mingled yarn, good and ill together: our virtues would be proud, if our faults whipt them not; and our vices would despair, if they were not encouraged by our virtues.” This was truly and finely said